In 1957 — two years before she garnered national acclaim and became the first black playwright to win the coveted top award from the New York Drama Critics’ Circle for her work “A Raisin in the Sun” — Lorraine Hansberry launched a quiet, personal revolution.
The 27-year-old, who concealed her identity as a lesbian, penned an anonymous letter to the editors to The Ladder, the nation’s first subscription-based lesbian magazine and identified herself as a “heterosexually married lesbian.”
“I feel I am learning how to think all over again,” Hansberry wrote.
ALSO READ: Gay men, lesbians targeted the most for hate crimes in L.A. County
LORRAINE HANSBERRY DOCUMENTARY
Hansberry, who died of pancreatic cancer in 1965 at the age of 34, takes center stage in “American Masters – Lorraine Hansberry: Sighted Eyes/Feeling Heart,” the first in-depth look at her complex life.
The documentary will launch the 32nd season of PBS’ “American Masters” on January 19 at 9 p.m., PBS announced earlier this week.
The documentary will stream the following day via pbs.org/americanmasters and on PBS apps.
ALSO READ: Lesbian News founder Jinx Beers to be inducted into queer journalists hall of fame
Filmmaker and Peabody Award-winner Tracy Heather Strain (“Unnatural Causes,” “I’ll Make Me a World,” “American Experience: Building the Alaska Highway”) using Hanberry’s personal papers and archives, including home movies and rare photos, as source material.
“American Masters – Lorraine Hansberry: Sighted Eyes/Feeling Heart,” showcases not only the writer’s lifetime commitment to fighting injustice, but also her talent of using art — the theater—as her medium for activism at a crucial time for black civil rights.
Family, friends and colleagues, including Sidney Poitier, Ruby Dee, Harry Belafonte, her sister Mamie Hansberry, Lloyd Richards, Amiri Baraka and Louis Gossett, Jr., share their personal memories of Hansberry.
ALSO READ: Meet Susan SurfTone — From FBI agent to lesbian surf-rocker
The documentary also explores her hidden identity as a lesbian and her use of sexual orientation and societal norms as themes in her works.
The film title comes from Hansberry’s view that “one cannot live with sighted eyes and feeling heart and not know or react to the miseries which afflict this world.”